Channel: Lessons from the Screenplay

Category: Film & Animation

Tags: fundamentalshow tostorytellingbasicskylo rennvideofilmmakingscreenplaytipscharacterrobert mckeewritinglessons from the screenplaystar warsmark hamillmichael tuckerscreenwritingrian johnsonscreenwritercharacter arcscreenwriting techniqueschangethe last jedifinnwriting tipsscriptstructurefilmmakerscreenwriting tipsessayroseforcechoicelet the past diestory

Description: Listen to our podcast episode on the modern Star Wars films: bit.ly/2EuE0rV The first 500 people to use this link will get their first 2 months of Skillshare for free: skl.sh/lfts4 Support LFTS: patreon.com/LFTScreenplay LFTS Merch: standard.tv/collections/lfts Twitter: twitter.com/michaeltuckerla Instagram: instagram.com/michaeltuckerla Facebook: facebook.com/lessonsfromthescreenplay Star Wars: The Last Jedi is a strange movie. The things it does well, it does very well, and the things it drops the ball on, it really drops the ball on. In this video I look at the character arcs of Finn and Kylo Ren, comparing what works and what doesn’t. And finally, I collect my thoughts on the idea of letting the past die. Written by: Michael Tucker (twitter.com/michaeltuckerla) SXSW Q&A With Rian Johnson and Mark Hamill: youtu.be/ceEWa1DRuI0 Check out my kit, from screenwriting books to gear: kit.co/LFTS/screenwriting-books LFTS Recommended Reading List: lessonsfromthescreenplay.com/reading-list Translate this video: youtube.com/timedtext_video?ref=share&v=GYN2Lp9oHMk Thanks to Diego Rojas for composing original music for this video and this channel! Check out more of his work: soundcloud.com/diegorojasguitar TwinSmart's Marxist Arrow is licensed under a Creative Commons Attribution license (creativecommons.org/licenses/by/4.0/) Artist: twinmusicom.org With the company Twin musicom licensed under the Creative Commons license Attribution (creativecommons.org/licenses/by/4.0/) Artist: twinmusicom.org